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Summary of Carel Fabritius
Though less well known than his Dutch Golden Age contemporaries due to his tragic and untimely death, Fabritius was a bone-fide free spirit working within the Baroque tradition.
He left only a small number of portraits and genre paintings - just 13 confirmed artworks - but these reveal him to be an artist of no little historical significance. Indeed, he is considered Rembrandt's most gifted and important student and, having left the great Dutch Master's charge, he went on to become a key figure within the mid-17th century School of Delft; a group known predominantly for its views of the city and its daily life, coupled with quieter, more considered, interior compositions.
At Delft, his work typically employed delicate shading with dark figures set against a light background. His interest in the laws (and limits) of perspective and pictorial spatial relations, meanwhile, saw him share an affinity with his fellow Delft artist, Johannes Vermeer.